PORN 3D

PORN 3D

As reported by Mike Kelly

“I see that you are in the Fucking Section of the airplane.” The Stewardess says, eyeing the customer hungrily in his giant over-sized first class leather chair. Walking over to him and straddling him on the first class chair, she interrupted. "What? What are you gonna do?." But she didn't wait for him to respond. Already starting to get wet, she pushed her lips against his and began to kiss him, slowly at first until he finally relaxed and caught up with her, then deeply, pressing against him hard enough to feel the stubble of his face against hers. After a few seconds she pulled away, "Mmmmm....you taste good!" she said with a proud smile.

"Are you sure this is okay?" he asked, still in shock by what just happened.

"Mmm hmmm First Class Fucking Section," she moaned as she began to unbutton the remains of his leather jacket, kissing his chest as she went. Once the jacket was completely unfastened she pulled him forward to slide it off of his arms when she noticed a tattoo of a dagger, point downward, directly over his heart. The just the sight of it had her more turned on than before and she instinctively began to grind her moist lips against his stiffening rod. He moaned with pleasure, just leaning back and letting her satisfy herself. Continuing to kiss him all over his chest and stomach, she slowly worked her way down to the waist of his jeans when she looked up and met his glance. She began to work on unfastening his jeans as he leaned over and began to kiss her neck, one hand behind her head. He continued to kiss around her neck and behind her ears as her hand, governed by instinct, reached for his waist and began to stroke him. "Not yet," he said. "I don't want to get too excited too fast." She released her grip as his kisses moved downward slowly, covering her breasts, making sure not to leave a single inch without attention. As he took her breast into his mouth he used a combination of suction and pressure that forced another moan out of her lips, and now her hand went from between his legs to hers, first running her fingers up and down over her slit to get her fingers moist, then moving north to her clit. As he continued to kiss and gently nibble her breasts, skillfully using his tongue and lips, the combination of sensations between his touch and hers pushed her into an unexpected orgasm; her back arched upwards and her moans turned into an elongated scream.

He continued on with his southward migration once he realized she was in ecstasy, not pain. Her breathing began to calm and her back settled back down as his kisses moved to her stomach and ribs, slightly tickling her as he moved on. She removed her hand from herself and her breathing turned to little giggles from his touch. "Should I stop?"

"God no! It's glorious! No...no...nn...no..." and her voice trailed off as he continued to move his attention further down, moving over her stomach and down just above her legs. The closer his face moved to her thighs, the shorter her breaths became. "Oh

god...please...yes...." With her next climax already starting to build from anticipation, she finally grabbed his head and shoved it into herself. He took the signal well and began to lap at her with his tongue as feverishly as he could manage. Just as soon as his mouth hit her aching clit she began to pant...he knew another orgasm would be coming soon, but he didn't want to break contact so he wrapped his arms around her legs to stay with her when she came. His tongue started to grow tired from it's body-length workout so he switched to using his lips more, sucking on her lips and clit, and within seconds she exploded into him, pushing his head into her even harder, and her slow pants became screams of pleasure. Her hips were writhing, but his attention on her never stopped...he continued to use his mouth and tongue to tease her groin until her thighs were quivering uncontrollably, even after the orgasm subsided.

The climax was so powerful that she hardly had enough energy left to push his face away, softly demanding, "I want you inside me..." Without saying a word he gently, skillfully turned her over on her stomach, spread her legs slightly, and positioned himself behind her. He grabbed his member and ran it up and down the length of her slit a couple of times just so he wasn't coming into her completely dry, then pushed himself fully into her as she let out a deep moan. "Oohhh, yes," escaped her lips as she was filled for the first time in years by something other than her own fingers. He was rock hard by this point and filled her wetness completely, but not so large that it hurt to take him in. He laid there for a moment, completely inserted, just kissing her back for a few moments before he started to withdraw. With his lips completely out of energy, he now focused his movement to his hips as he grabbed her waist and began thrusting in and out.

Each time he came crashing into her body, slapping against her flesh, she let out a bit of a moan as she couldn't contain her pleasure. She instinctively tried to raise up to meet him as he thrust forward to meet her. He continued his work on her, increasing his pace as his orgasm approached. Each time he would push forward, she would push back with as much force as she could muster. Her breasts were bouncing back and forth from the motion of her hips, and each collision sent waves of sweet pleasure coursing through her body. "Oh...yes..yes....YES..." she screamed as another orgasm approached...her screams only made him even more excited and his thrusts became more rapid and violent. With one final moan he pushed into her for the last time, collapsing over her back as he exploded inside of her. The pressure of him on her back then sent her over the edge...she screamed once more and was silent. They both laid there motionless for a moment, save for the rising and falling of their chests as the breaths of waning passion and excitement filled their lungs, simply enjoying the beautiful afterglow……….”I need to fly First Class in the Fucking Section more often – its worth the extra cost.” He said, savoring the moment he shared with the beautiful stewardess.

Ah yes, 3D Porn – good stuff, cool to watch and very erotic. Lately 3D is popular again for both regular and porn flicks – the day is coming when all movies will be released in both 2D and 3D versions. In film, the term 3D (or 3-D) is used to describe any visual presentation that attempts to maintain or recreate moving images in third dimensions, complete with the illusion of depth as seen by the viewer.

The earliest confirmed 3-D film shown to a paying audience was The Power of Love, which premiered at the Ambassador Hotel Theater in Los Angeles on September 27, 1922. The camera rig was a product of the film's producer, Harry K. Fairall, and cinematographer Robert F. Elder. It was projected dual-strip in the red/green anaglyph format, making it both the earliest known film that utilized dual strip projection and the earliest known film in which anaglyph glasses were used. Whether Fairall used colored filters on the projection ports or whether he used tinted prints is unknown, but it is the first documented instance of dual-strip projection. After a preview for exhibitors and press in New York City, the film dropped out of sight, apparently not booked by exhibitors, and is now considered lost.

In 1936, Leventhal and John Norling were hired based on their test footage to film MGM's Audioscopiks series. The prints were by Technicolor in the red/green anaglyph format, and were narrated by Pete Smith. The first film, Audioscopiks, premiered January 11, 1936 and The New Audioscopiks premiered January 15, 1938. Audioscopiks was nominated for the Academy Award for Short Film - Novelty in 1936.

With the success of the two Audioscopiks films, MGM produced one more short in anaglyph 3-D, another Pete Smith Specialty called Third Dimensional Murder. Unlike its predecessors, this short was shot with a studio-built camera rig. Prints were by Technicolor in red/blue anaglyph. The short is notable for being one of the few live-action appearances of the Frankenstein Monster as conceived by Jack Pierce for Universal Studios outside of their company.

While many of these films were printed by color systems, none of them was actually in color, and the use of the color printing was only to achieve an anaglyph effect.

What aficionados consider the "golden era" of 3-D began in 1952 with the release of the first color stereoscopic feature, Bwana Devil, produced, written and directed by Arch Oboler. The film was shot in Natural Vision, a process that was co-created and controlled by M. L. Gunzberg. Gunzberg, who built the rig with his brother, Julian, and two other associates, shopped it without success to various studios before Oboler used it for this feature, which went into production with the title, The Lions of Gulu. The film stars Robert Stack, Barbara Britton and Nigel Bruce.

As with practically all of the features made during this boom, Bwana Devil was projected dual-strip, with Polaroid filters. During the 1950s, the familiar disposable anaglyph glasses made of cardboard were mainly used for comic books, two shorts by exploitation specialist Dan Sonney, and three shorts produced by Lippert Productions. However, even the Lippert shorts were available in the dual-strip format alternatively.

Because the features utilized two projectors, a capacity limit of film being loaded onto each projector (about 6,000 feet, or an hour's worth of film) meant that an intermission was necessary for every movie. Quite often, intermission points were written into the script of the film at a major plot point.

April 1953 saw two groundbreaking features in 3-D: Columbia's Man In the Dark and Warner Bros. House of Wax, the first 3-D feature with stereophonic sound. House of Wax, outside of Cinerama, was the first time many American audiences heard recorded stereophonic sound. It was also the film that typecast Vincent Price as a horror star as well as the "King of 3-D" after he became the actor to star in the most 3-D features (the others were The Mad Magician, Dangerous Mission, and Son of Sinbad). The success of these two films proved that major studios now had a method of getting moviegoers back into theaters and away from television sets, which were causing a steady decline in attendance.

Universal-International released their first 3-D feature on May 27, 1953, It Came from Outer Space, with stereophonic sound. Following that was Paramount's first feature, Sangaree with Fernando Lamas and Arlene Dahl.

Columbia produced several 3-D westerns produced by Sam Katzman and directed by William Castle. Castle would later specialize in various technical in-theater gimmicks for such Columbia features as 13 Ghosts, House on Haunted Hill, and The Tingler.

Although 3-D films appeared sparsely during the early 1960s, the true second wave of 3-D cinema was set into motion with the same producer who started the craze of the 1950s. Using a new technology called Space-Vision 3D, stereoscopic films were printed with two images, one above the other, in a single academy ratio frame, on a single strip, and needed only one projector fitted with a special lens. This so-called "over and under" technique eliminated the need for dual projector set-ups, and produced widescreen, but darker, less vivid, polarized 3-D images. Unlike earlier dual system, it could stay in perfect sync, unless improperly spliced in repair.

Arch Oboler once again had the vision for the system that no one else would touch, and put it to use on his film entitled The Bubble, which starred Michael Cole, Deborah Walley, and Johnny Desmond. As with Bwana Devil, the critics panned The Bubble, but audiences flocked to see it, and it became financially sound enough to promote the use of the system to other studios, particularly independents, who did not have the money for expensive dual-strip prints of their productions.

Using the over-under process pioneered by SpaceVision, Hollywood's film-makers hit a craze comparable to that of the one thirty years previous. With the popularity of StereoVision re-issues of House of Wax and Dial M for Murder, newly inspired directors jumped the bandwagon in creating 3-D films geared towards newer, mainstream audiences. Some of these included:

Amityville 3-D

Comin' at Ya!

Treasure of the Four Crowns

Friday the 13th Part 3

Jaws 3-D

The Man Who Wasn't There

Metalstorm: The Destruction of Jared-Syn

Parasite

Silent Madness

Spacehunter: Adventures in the Forbidden Zone

Starchaser: The Legend of Orin

In 2003, James Cameron's Ghosts of the Abyss was released as the first full-length 3-D IMAX feature filmed with the Reality Camera System. This camera system used the latest HDTV video cameras, not film, and was built for Cameron to his specifications. The same camera system was used to film Spy Kids 3D: Game Over (2003), Aliens of the Deep IMAX (2005), and The Adventures of Sharkboy and Lavagirl in 3-D (2005).

In November 2004, The Polar Express was released as IMAX's first full-length, animated 3-D feature. It was released in over 3,550 theaters in 2D, and only 62 IMAX locations. The return from those few 3-D theaters was about 25% of the total. The 3-D version earned about 14 times as much per screen as the 2D version. This has prompted a greatly intensified interest in 3-D and 3-D presentation of animated films.

George Lucas has announced that he will re-release his Star Wars films in 3-D based on a conversion process from the company In-Three.

James Cameron (of Titanic fame) intends to shoot his new films Avatar and Battle Angel in digital 3-D. Filming will use HDTV cameras and the Fusion Camera System.

Animated films Open Season, and The Ant Bully, were released in IMAX 3D in 2006. Monster House and The Nightmare Before Christmas were released in REAL D Cinema digital 3D in 2006.

In late 2006 Steven Spielberg told the press he was involved in patenting a 3-D cinema system that does not need glasses, and which is based on plasma screens. A computer splits each film-frame, and then projects the two split images onto the screen at differing angles, to be picked up by tiny angled ridges on the screen.

Finally, in 2008 it happened: “Both Worlds” the Miley Cyrus 3D Disney movie is released and it is the number one most popular movie in the world the week it is released.

In 1970s porn was finally made in 3D with both softcore and hardcore adult films being produced. Some 3D horror films released in this time period were a combination of both horror and porn. Andy Warhol's Frankenstein was an example of such a combination. I saw this movie and it was very cool. You wore cardboard glasses and saw both scenes of gore and hot sex alternate on the screen. Sometime scenes had both gore and sex in them – in 3D.

The first and best 3D Porn Movie of the time was “The Stewardess” which was produced and released in 1969-1971 in four different versions. These versions varied from hard core to soft core and the movie played in various versions in the theatres for over 5 years. With a shooting budget of just over $100,000 and a worldwide gross of $30 million, this ranks as one of the most profitable films ever made and until 2008 the most popular 3D movie ever released. I saw this movie and it was very good and the sex was hot – yep, I saw the hard core version and it was one of the best early porn movies – 3D or 2D released.

In the 1980s watching porn in theatres declined with the release of VCRs that allowed you to watch porn movies at home. No 3D porn was released on VHS tapes at all (impossible to do) and it was not until DVDs became widely used that 3D porn was once again released. At LA Erotica 2008 I bought a 3D porn movie entitled “Fantastic Voyage”. Inside the box was 2 pairs of 3D glasses and you could watch it in both 2D and 3D. In 3D the movie was very erotic and fun to view – the images were very clear and the 3D did make the movie more realistic – as if you are actually there watching the people have sex. At LA Erotica 2008 over 50 3D porn movies were available for sale – and the price was the same (around $29.95) as the regular 2D porn movies.

So – 3D has stood the test of time and gotten even more popular over the years. Order a 3D porn DVD and watch it – the beauty of the new 3D porn movies is if you don’t like the 3D version you can just watch the 2D version instead. The box is handy for storing the 3D glasses in and most 3D DVD flicks include 2 pairs – one for you and one for your significant other. The best part is – yep “The Stewardess” is going to be remade for release in 2009 in both “R” and “Unrated” versions – so you can watch the tame one in the theatres and then buy the “hot” DVD version for home viewing.

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